Tag Archive for third doctor

The First Face This Face Saw

[crossposted at tansyrr.com]

I know that most of us are thinking REALLY HARD about The Angels Take Manhattan right now, but I wanted to step back for a moment and talk instead about a thought that emerged from the previous episode, The Power of Three.

“The first face this face saw,” the Eleventh Doctor said to Amy, explaining why it is that he has been so very emotionally attached to her, and by extension, Rory, over the last several hundred years. Much like “I always took you where you needed to be” from The Doctor’s Wife, this one line throws the whole history of Doctor Who into a new light.

I’ve always subscribed to the idea that the Ninth Doctor was freshly regenerated in “Rose,” and that he went off to have a bunch of adventures in that instant before he and the TARDIS came back for her and he upped his offer: “Did I mention it also travels in time?” Not only is this a nice thought because it means he got to have a bunch of adventures on his own, but it allows him to appear at various points through history in his leather jacket, thereby catching the attention of Clive.

But Rose could well have been the first face that his Ninth face saw. At least, the first non-Auton, non-dead face. The first person he talked to, the first person he told to “Run.” Extending this thought further, this could be why he came back for her at the end of the episode, once he thought of something new to tempt her with. And maybe even that “run” was the first word he said, also imprinting itself upon the destiny of his incarnation of the Doctor.

Yes, I’m arguing that the Doctors set their own themes in the first moments of life. Bear with me.

I know that many fans are annoyed by the perceived “specialness” of Rose, while others love her best and most above all others. Well, she is special. Because she may well be the only person whom the Doctor saw first in two incarnations. With the Ninth, it’s arguable, but it’s definite with the Tenth. He regenerated in the TARDIS, and the first face his face saw was Rose, crying and angry and bouncing emotions off the walls. Rose, who loved him.

Yep, this explains a lot about the Tenth Doctor.

But does the theory hold up into the Classic series? I had a long walk this morning, which always does ferocious things to my brain, and I’m here to tell you that maybe it DOES.

Some are drawing a longer bow than others, I’ll admit. The first face the Eighth Doctor saw was that of a morgue technician screaming at him for being alive. But the surgeon who killed him, Grace Holloway, certainly can have had an effect on who he was as a Doctor. Did he see her through the anaesthesia? Does his grogginess explain the weird hallucination about being half human?

The Seventh Doctor is a way better example. The first face his face saw was his old enemy the Rani, pretending to be his companion Mel. No wonder he spent his whole incarnation as a sneaky, suspicious and manipulative dark version of himself! Apart from the whole spoon-playing phase which was obviously caused by the strobing effect from Mel’s psychelic apricot striped outfit.

The Sixth Doctor tried to kill the first face his face saw, the argumentative Peri, and his incarnation was certainly characterised by bickering and violence.

The Fifth Doctor saw three young people he barely knew: Adric, Nyssa and Tegan, and spent the rest of his regenerative crisis freaking out and impersonating his former selves. I have no idea what effect this had on his personality. But it does explain why he and/or the TARDIS failed so utterly to return Tegan to her workplace over and over again, despite her stated wishes.

The first faces the Fourth Doctor saw were Sarah Jane Smith and the Brig. Interesting then that he set out to distance himself quickly from UNIT and his previous life on earth. A born contrarian? Still, there’s no denying that he remained more closely attached to them both than almost any other companions of the classic era. He sent Sarah a K9, after all, and he always came back for Alistair Gordon.

The first face that the Third Doctor’s face saw was a random squaddie who shot him. He then spent five years living with and working for the military, despite the fact that this was dramatically against anything established for the character previously.

And finally, the Second Doctor. His very first regeneration, and the first people he saw were Ben and Polly. There was nothing particularly special about them, though it is worth noting that he spent his entire incarnation with companion pairs of a boy and a girl, except for the one time that Jamie stowed away.

The first faces that the first regenerated Doctor saw were human, though. And in fact, apart from Nyssa, Adric and the Rani, every first face his faces have seen have been human. No wonder he’s so attached to us all, to the humans who live on Earth. The First Doctor despised humans, and if he had any control over the TARDIS, would not have chosen to land on Earth nearly as often as he did. But the later Doctors… every one of them called Earth his home away from home.

And there we are, proof that I think about this stuff way too much.

Time Ladies: The Fanart

With our remit, what are the odds we wouldn’t feature Gladys’ excellent manga-flavored renditions of all eleven Doctors as women?

The first six Doctors, as women, drawn by Gladys.

Doctors seven through eleven, as drawn by Gladys

Doctors-as-women art isn’t new (in researching a post on femme Doctors, I found examples from 1985) or uncommon (anymore), but IMHO Gladys excels here at giving suggestions of personality to the Doctors that are similar to, but distinct from, their male counterparts. One has a suggestion of great warmth behind all her poise. Six, with her blonde curls coming undone from her bun, looks like she’s just paused to gather her thoughts before unleashing her tremendous intelligence on your ass. Ten I imagine as a mad librarian.

Love After The Doctor: The Classic Years

Jo: “In a funny way, he reminds me of a younger you.”
The Doctor: “I don’t know whether to be flattered or insulted.”
–Jo Grant and the Doctor discuss her new love interest, Cliff Jones

Rose: “He’s a lot like you, Doctor, only with dating and dancing.”
–Rose Tyler, on Jack Harkness

Does traveling with the Doctor ruin companions for romance after they leave him? What mere man could ever compare to a charismatic Time Lord with all of time and space at his fingertips? Inspired by Bumble Toes‘ post on the Doctor as a romantic rival in the new series, here’s my take on the same dynamic in the classic series.

As the above quotes show, companions do seem to appreciate some Doctor-like characteristics in their romantic partners. It seems equally clear to me that the idea of companions perpetually pining over the Doctor, incapable of moving on, is native to the new series. I think it was born of RTD’s penchant for deconstructing the series, and an excellent example of how this deconstruction can backfire.

To me, the most genius decisions that RTD made were the most straightforward:

  1. He realized that the companion has the hero’s arc, not the Doctor, and
  2. He took the questions that the series had spent forty years studiously avoiding, and placed them front and center: How does the Doctor pick companions–what does he look for? What kind of person would leave everything she knew behind to go adventuring in time and space with an alien? She’s usually young–do her parents know what she’s doing? Do they approve? Do they know about the Doctor’s history of absconding with young women, not all of whom make it home? Might the companion ever look upon the Doctor with romantic intent? Might the Doctor ever return that glance? What would happen? Finally, and maybe most devastatingly, what happens to her after the end? Is the TARDIS door perpetually closed to her, or could the Doctor return for more adventures?

The classic series seems to have given companions exactly two possible exits: a) status quo ante, dumping you back into your old life, or b) permanently stranded in the alien society of your choice. (Hope that marriage works out!)

There’s an orthodoxy in some corners of fandom that the classic series never went anywhere near Doctor/companion UST, that the new series focuses too much on Doctor/companion UST, and that the new series is inferior for that reason. Mostly you hear this from men, and mostly this charge is levied along gendered lines–”attracting female viewers” being given as a reason for the new series’ willingness to have Doctor/companion ships.

But for all that everyone insists that the classic series never ever went anywhere near Doctor/companion romantic tension, they did go there a little bit. The best example is Jo Grant, companion to Jon Pertwee’s Third Doctor.

The Doctor and Jo seem to relate primarily as father/daughter: when he realizes, in episode 1 of “The Green Death”, that she is outgrowing him, his response is to compare her to a fledgling leaving the nest. Yet there are also hints that the Doctor has deliberately interfered in Jo’s love life: she’s about to leave on a date with Mike Yates, at the very beginning of “The Curse of Peladon”, when the Doctor drags her along with him. In fact, “The Green Death” keeps the Doctor physically elsewhere as Jo and Cliff bond, perhaps aware that they can’t do so if the Doctor’s disruptive presence is about. And, famously, the Doctor looks deeply hurt at Jo’s decision to leave. He even slinks out of the engagement party and drives off alone. It’s all subtext, but taken all together it’s difficult to avoid the conclusion that the Doctor may just have been a little bit into Jo. Certainly he behaved possessively towards her in a way he hadn’t for other companions, and that we would rarely see again.

But Jo married, and the marriage seems to have been stable and long-lasting, per the Sarah Jane Adventures episode “Death of the Doctor”, so it’s hard to argue that her adventures with the Doctor ruined her for an ordinary life with a human partner.

So, even though the Doctor may have been a little bit into Jo Grant, it’s not true that she was necessarily into him, and certainly not true that the Doctor as a romantic rival outshines human suitors.

Goodbye Dr Liz Shaw

[Crossposted from my blog at tansyrr.com]

We’ve lost many actors and creators from Classic Who over the last couple of years. When Elisabeth Sladen died, I was gutted, and simply couldn’t talk about it. Her character had been so important to me as a child, and had continued to be relevant and important through my adult life. The fact that she was still working, still playing the character on screen, made it more immediate. I never blogged about the loss of Elisabeth Sladen, or talked about it much, and even turned down the request to give a toast in her honour, because I couldn’t find the words.

Only when I heard in the last week that Caroline John had died did I start thinking about how important her character had been to me, too. I’m a lot less emotionally invested in Liz Shaw as a character, but she was a huge influence and role model for me – specifically the Liz Shaw of Spearhead from Space, the story which rebooted Doctor Who from the black and white 1960′s to the colour 1970′s.

Everyone remembers the Jon Pertwee era of Classic Who as being about the Doctor, representing the hippies and the scientists, in regular conflict with the Brigadier and UNIT, representing the military solution, despite taking resources from them without any apparent qualms. In fact, the Brigadier is quite accommodating to the Doctor, who rarely does more than roll his eyes at the use of guns in dealing with aliens, and the two of them riff good-naturedly against each other while saving the world.

Liz Shaw, who is our point of view story for a large part of Spearhead from Space, criticises the military and their way of doing things more in that first story than I think the Third Doctor does for his entire five year run. She is cynical and amused by UNIT and its military solutions, but also very much a skeptic about aliens, who has to learn fast that she is wrong (about the aliens thing) and adapt. Which she does – she may start out as something of a Dana Scully, but once she sees what is happening, her scientific mind proves to be more than up to the challenge. She is an assistant to the Doctor, yes, but she is very much portrayed as his intellectual equal, and while she never wanted to be part of UNIT, the scientific challenge is enough to keep her around (for a while).

And oh, it burns me every time one of them calls her Miss Shaw. I know it’s the 70′s, but she’s a freaking DOCTOR, she earned that title, and the script still occasionally treats her like she’s a dolly bird brought in to make the tea (though that, of course, is Benton). Still, Caroline John rose above it, and despite the mini-skirts and big hair, proved to be a capable and inspiring female scientist.

More importantly, she left. Now, Caroline John left for two reasons – because the production staff felt that having a companion who was the intellectual equal of the Doctor wasn’t the direction they wanted to go in, and also because the actress was pregnant and needed to quit in any case. Because this was decided after the filming of Season 7, there was no ‘final’ story, no leaving scene for Liz Shaw. Fans have often complained about this, because that is what fans do. But I kind of love the way she’s written out – the beginning of Terror of the Autons, the first story of the next season, makes it clear that Liz has gone back to Cambridge to continue her work, and that the Doctor isn’t happy about it.

She has, in short, better things to do. “It was fun, Doctor but… I’m busy.” (The Brigadier even says at this point that she was overqualified for the role as the Doctor’s assistant as he only needs someone to pass him test tubes and tell him how brilliant he is – which feels like a bit of a dig at the behind the scenes decision!) Liz’s independence is part of what makes her such an original and awesome companion character, and the critical regard so many viewers have for season 7 has a lot to do with the role that she played.

i09 article on How Caroline John Helped Save Doctor Who.

Calapine posts about Caroline John and Liz Shaw and provides time stamps for the following long YouTube interview:

A lovely tribute to an unforgettable character, and an important woman in the history of Doctor Who, by Babelcolour:

Domesticating the Doctor I: Cocoa, Test-tubes and the Classic Years

Domesticity and Doctor Who don’t seem to fit together, as concepts. There’s something about this show, and its fandom, and possibly the hero himself, that rails against the ordinary and the everyday.

You could argue (as I think I might, in future posts) that a major theme of New Who is the uncomfortable and at times antagonistic relationship that the Doctor has with domesticity – he rails against it, runs from it, fails to see it when it smacks him in the nose, and on several occasions, has to compete with it for the attention of his companions.

Feminism often struggles to deal with the same issue. There’s a long tradition in feminist history of dismissing or disassociating itself from anything that smacks of the domestic, and while that’s an understandable side effect of trying to increase the options of female (and indeed, male) roles, it’s important to accept that domesticity can be a perfectly valid life choice. Even for superheroes.

Choice is key, though. There’s a big difference between characters who choose to embrace domesticity and those who are pushed into it against their nature. It doesn’t seem likely that the Doctor would ever willingly choose a domestic path… or does it? Before discussing the uses of domesticity in New Who, I want to look at the (far fewer) instances in the Classic series where domesticity is remotely relevant to the Doctor’s aimless, epic lifestyle in the TARDIS.

As it happens, this is the theme of the very first episode, “An Unearthly Child.” The First Doctor has ceased his wanderings in time and space in order to give his granddaughter Susan a “normal” life in one place for a while, and it’s driving him nuts. Susan is enjoying school, but not very good at faking normality, and when her teachers investigate, the Doctor takes the first opportunity he can to cut them all loose from 1963 London, and hurl them into the unknown.

We never learn the truth of how and why the Doctor ended up being Susan’s carer, but it’s very clear that the parental role is not one he inhabits comfortably. The addition of Ian and Barbara to the crew, however, gives Susan a semblance of “normal” family life in amongst all their mad adventures, at the expense of Ian and Barbara themselves, who have been ripped from their own life.

The contrast between mad adventuring and domesticity is actually rife through the First Doctor’s era. For a start, we get to see where they all eat and sleep, something happily ignored for decades at a time in the show. The Doctor accidentally goes through a cocoa-related betrothal ceremony with Cameca in The Aztecs, and responds to this discovery with utter bemusement (but isn’t above using the relationship for his own benefit). He abandons Susan so she can make the most of a fledgling romance in a war-ravaged future Earth (REALLY not a good parent) and promptly takes on a replacement in Vicki, who serves as his surrogate granddaughter up until she also falls in love, and the Doctor cuts her adrift in a war-ravaged Troy. Are we sensing a pattern here? The Doctor is willing to emulate family life on his own terms, travelling around randomly in his intergalactic house, but never considers allowing Susan or Vicki to bring her new boyfriend/future husband into the TARDIS.

(Obviously production decisions have a lot to do with this choice, but I didn’t say this article was going to be fair!)

It’s not until the Third Doctor that we see something close to domestication imposed upon him. The Time Lords may have ensured he is stuck on earth in one time stream, but it’s the Brigadier who provides the Doctor with a job and a laboratory, making sure he stays in one place. And boy, doesn’t the Doctor settle in? Luckily there are plenty of alien invasions to keep him amused, but in between all the adventuring and military politics, his life is almost cozy, with female assistants to pass him his test tubes and tell him how brilliant he is. The TARDIS, meanwhile, acts as a glorified cupboard in the corner.

Don’t get me wrong – the Third Doctor is constantly railing and complaining about being stuck on Earth, and never entirely accepts his confinement. But it’s telling that even when the Time Lords free him from his exile, he doesn’t quit his job – in between travelling in time and space he keeps returning to the laboratory and his UNIT family, drinking Sgt Benton’s excellent cuppas, bickering with the Brig, and tinkering with his cars on the weekend. Likewise, Jo’s time as companion never involves cutting herself of from everyday life – she goes on dates, earns a pay check, goes home to change her boots, and still gets to flit off to alien planets during work hours. Liz never even got to leave Earth!

This Third incarnation of the Doctor, then, is fully house-trained. But as soon as he regenerates into his Fourth identity, he and the TARDIS are off again, without looking back. Whenever the Doctor returns to UNIT you can see that he doesn’t quite fit, and isn’t tempted to stay with them. He is a domestic tourist again, occasionally turning up in the suburbs or someone’s home, but only when there’s something nasty in the woodwork.

The Fifth Doctor Years transform the TARDIS into something more home-like than had been seen since the early 60′s, with his companions’ bedrooms as regular sets, but eventually they all leave him to go home, or to find a new one. The Seventh Doctor examines domesticity through something of a scientific lens as he sorts out Ace’s back story, but family and home life in that era of Classic Who are portrayed very much as sources of gothic and suburban horror rather than somewhere safe and warm.

In the New Adventures novels, there’s only one really clear instance I recall where the Doctor was completely immersed in domesticity – the novel Human Nature by Paul Cornell, which I’ll talk about when I get to the David Tennant years rather than deal with the same plot twice. It’s one I highly recommend, though, if only to compare to the TV version!

In the Big Finish audio adventures, which occupy a headcanonspace for me between the classic and new series, even though there is substantial overlap with New Who, there’s only one relationship that I felt really pulled the Doctor against his nature into something like a domestic sphere. This was the pairing of the Sixth Doctor and Dr Evelyn Smythe, who is also the first ‘old lady’ companion the Doctor has ever had, though she was only 55 (a spring chicken!) when she first ran away with him.

Evelyn is a fabulous character, and managed to soften the blunter edges of the Sixth Doctor, not complaining about his pompousness as Peri did, but actively training him out of such behaviour. In “Thicker Than Water,” when he takes Mel to meet Evelyn, it’s clear that he credits Evelyn with having substantially improved his manners and temperament in dealing with people.

That word ‘cozy’ comes up again – while there is no romantic spark at all between the Doctor and Evelyn, they settle easily into the dynamic of an old married couple, and their adventures are dotted with nice chats, cups of cocoa (of the non-marital variety), and gentle holidays in between the madness and the Daleks. Evelyn leaves for love, but that’s not the end of her adventures, nor the end of her relationship with the Doctor, who COMES BACK TO SEE HOW SHE’S DOING ON PURPOSE, something which I don’t think has happened in his history before. This relationship was very much a hint towards how the 21st Century Doctor (both in audio and on TV) was going to develop differently.

For the most part, the Doctors of the classic series and their associated (pre-2005) spin offs not only avoid domesticity, and long term family or relationship ties, but seem to look straightthrough them, ignoring their existence. No, not even ignoring their existence, because he’s so rarely put in a situation where they impinge upon his reality.

The endless traveller is constantly moving forward. He never stops to pick out furniture, or to drop in to any former companions’ homes for tea, biscuits and baby photos. Even his beloved TARDIS is constantly changing (or being changed) by him, often at times of emotional crisis – the jettisoning of Romana’s room, for example, or the restoration that happens just before The Five Doctors.

But something does change for him, and it’s possible that the turning point can be seen in the portrayal of the elderly Seventh Doctor at the beginning of the TV Movie, which also marks close to the halfway point of the Wilderness Years between Classic and New Who – instead of the stark white console room, we see flying buttresses and a sitting room that resembles a Victorian parlour – the Doctor sips his cup of tea and reads a book, surrounded by the music from his record player, a dish of jelly babies and a cluttered (one might almost say, cozy) assortment of possessions.

It’s a calm, utterly domestic scene between a Time Lord and his TARDIS. Who else, after all, was he ever going to settle down with?

The Eighth Doctor we see in the TV Movie was every bit the undomesticated adventurer of most of his predecessors, but for the first time in that story we see a companion’s home, and a friend for the Doctor who is willing to not only turn down his invitation to travel in the TARDIS, but to counter it with an invitation of her own: to stay with her, and fit into her life.

Of course he didn’t say yes – barely even took the question seriously. But the fact that it had been asked was a turning point for the series. Not since Cameca in The Aztecs and Susan before An Unearthly Child had someone suggested to the Doctor that he stop moving for personal reasons, and choose to settle down in one time and place.

When Doctor Who came back in 2005, that question was going to get larger, and louder, and domesticity would no longer be something the Doctor would have the luxury to ignore, as the show itself began to pay greater attention to the needs of the humans around him.

But this post is long enough already. Tune in soon for Part II of Domesticating the Doctor!

“Not Just a Journalist But a Woman Journalist!” [Review: Planet of the Spiders]

I once tried to convince Raeli to cosplay this outfit for a party - she had the stripy top but refused to add the spider!

“Planet of the Spiders” (1974)
Season 11: Production Code ZZZ

Written by: Robert Sloman & (uncredited) Barry Letts
Directed by: Barry Letts
Script Editor: Terrance Dicks

Starring:
THE DOCTOR: Jon Pertwee & (uncredited) Tom Baker
SARAH JANE SMITH: Elisabeth Sladen
BRIGADIER LETHBRIDGE-STEWART: Nicholas Courtney
SGT. BENTON: John Levene
MIKE YATES: Richard Franklin
LUPTON: John Dearth

crossposted from my blog, tansyrr.com

I didn’t mean to rewatch Planet of the Spiders this weekend, but when your seven-year-old daughter voluntarily suggests a touch of Jon Pertwee, you don’t turn her down!

This final story of the Third Doctor’s run is one of my absolute favourites, and has been since… wow. Probably since I was about the age my daughter Raeli is now. It’s a complete love letter to Jon Pertwee and the UNIT Years, with callbacks to previous stories. We even get a letter and a parcel from Jo Grant, a year after she left the show – a very rare example of a companion getting a chance to ‘call in’ after making her farewell, even if we don’t hear Katy Manning’s actual voice. We also get some cute character moments from each of the UNIT regulars, including Benton being adorably domestic, and the Brigadier unexpectedly (against his will!) revealing a snippet of his romantic history with a young lady called Doris.

I’ve been surprised in recent years to hear quite scathing criticisms of this story, especially the indulgent but completely awesome many-vehicles chase sequence, and the not-so-great acting among the Metebelis Three colonists. None of which bothers me at all, because I was raised with an Ignoring the Bad Bits lens through which to view classic Doctor Who stories. If you don’t have one, bet you wish you did. I try never to use this power for evil.

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