Tag Archive for fan works

If you’re a linkspam, how come you sound like you’re from the north?

From A Broad Abroad, an essay on how transformative works (like fanfic and other fan productions) are not, as commonly believed, void of creativity and harmful to the original source. Rather, it is a re-reading and a re-interpretation, on top of being “awesome.”

An article at Feminist Whoniverse discusses the homosexuality of Canton Everett Delaware III and how it compares to the ways in which Russell T. Davies normalized queerness:

Well, if we compare this to the reveals of queer characters from RTD’s era there is a very clear difference. Whilst RTD’s queer characters really normalised non-normative sexualities, Moffat sensationalises Canton’s identity. This is harmful because, although it’s not outwardly hostile, it serves to other queer folk. What this means is the marginalised group, in this case GSM [gay and sexual minorities], is seen as separate. This, in turn, reinforces the attitude that members of the GSM community are not normal and it is this kind of attitude which is frequently used to justify oppressive behavior.

 

Speaking of cute Dalek fan art, The Organization for Transformative Works posted this picture of a Dalek from a coffee shop.

Happy Hour, May 4-13. 1/2 price frapps!””]

Perhaps you’ve heard of the New York Times article claiming that men invented the internet? Xeni Jardin has a great response to it:

You guys, ladies suck at technology and the New York Times is ON IT.

Radia “Mother of the Internet” Perlman and the ghosts of RADM Grace Hopper, Ada Lovelace and every woman who worked in technology for the past 150 years frown upon you, sir. Women may have been invisible, but the work we did laid the groundwork for more visible advancements now credited to more famous men.

“Men are credited with inventing the internet.” There. Fixed it for you.

At The Border House, Cuppycake calls out E3 for continuing to allow booth babes. The Escapist chimes in with “let’s just stop pretending E3 is a professional event,” since they refuse to stop this practice.

Via the Doctor Who Information Network, the first production picture of Matt Smith and the new companion:

The Doctor and his newest companion stand close together in front some trees and the stone corner of a building. The Doctor is wearing a darker brown jacket than normal, a dark checked bowtie, and a brown waistcoat. His companion is smiling with her hand close to her mouth, and is wearing a grey jacket over navy sweater and dress, with a red purse slung over her chest.

As some people on Tumblr have pointed out, this shot is nearly identical to a production shot of the first Doctor and his first companion, his granddaughter Susan Foreman.

Have you ever wished you could own a feminist science fiction/fantasy t-shirt? Now you can! (Via Infotropism.)

A dark muted green t-shirt with bold white text reading, "Russ & Butler & Tiptree & Le Guin."

Via The Mary Sue and Geek Feminism, Feminist Frequency has a Kickstarter project to analyze sexism in gaming and the gaming community. Said gaming community has started a harassment campaign against her, engaging in threats and vandalism of her Wikipedia page with racial slurs and pornography. Way to prove her project necessary, assholes!

From Alex Dally MacFarlane, “SF anthologies: The (almost) unrelenting sausagefest“:

And, you know, I wouldn’t be so fucking angry about this if it wasn’t that almost every damn time I open a Mammoth Book of SF Stuff or an anthology edited by these two or Mike Ashley or any other big editor over here, I find this kind of ratio. (The one that’s just a Mammoth version of the Dozois Year’s Best does better. If we’re counting Sean Wallace’s Mammoth Book of Steampunk as SF, then that’s got a great ToC. But this should not be fucking exceptional.) Mike Ashley even managed to get an anthology of SF Stuff that’s 0% women, because apparently no woman has ever written a mindblowing SF story or something.

Protest this state of affairs by supporting anthologies that are committed to publishing science fiction by women, people of color, and GSMs, like Dark Matter, Beyond Binary, and Fat Girl in a Strange Land.

On the same subject, Kate Elliott at A Dribble of Ink writes about how calls for more diversity in science fiction and fantasy assume a default of Whiteness, heteronormativity, and the West:

Attempts to add “diversity” into such a scenario then remain trapped in the same box, regardless of the axis of diversity: The “diversity” becomes an ornamental or utilitarian element being forced onto the “real” underpinnings of the world (which remain in such a case as the default male, white, Western, straight, whatever), rather than being an intrinsic part of the creation.

If you have a suggestion for our linkspam, please email it to: courtney (at) doctorher (dot) com.

EXTERMINATE: Are the Daleks scary? (Part 1)

A comic by Peter Birkett, from Punch magazine on 5 August 1981. The image is a simple black line drawing on white. In it, a small group of Daleks are at the bottom of a short flight of stairs, looking toward the top of the stairs. At the bottom text reads, “Well, this certainly buggers our plan to conquer the Universe.” The comic is signed “birkett.” Source.

I’ve never much understood fear of the Daleks. They’re clunky and awkward, and way more adorable than frightening. (As a friend pointed out, the cutest thing about them is the way they sound increasingly frustrated. “Explain. EXPLAIN! EXPLAAAAIIN!!” Adorbs.) But the show and many fans insist that they are scary. They were even voted the scariest Doctor Who villain in a 2007 BBC poll. I find this confusing, because so many fan works (like crafts, fan art, cosplay) represent Daleks are humorous, cute, and/or silly. And it’s not like all villains are vulnerable to this. How many crafts do you see that make the Silence look adorable? Or that dress up the automatons from “The Girl in the Fireplace” as tiki-themed? Do people make plushies of the water monsters from “Waters of Mars”?

And it would be possible to read cute fan-made versions of the Daleks as studies in juxtaposition. We can create humor by making something truly horrifying look loveable or sad.

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A photo shows one of the Silence sitting at the end of a table. The table has a birthday cake on it, as well as several brightly colored paper plates and cups set on the table. The Silence wears a brightly colored striped party hat, and sits beside a bunch of colored balloons. He is the only one at the table. Text at the bottom reads “no one every remembers my birthday…” Source.

The humor of this image comes from two different contrasts. It riffs on the fact that the Silence can’t be remembered by anyone, and that would make it difficult for them to have normal lives. They couldn’t have friends, or dates, or jobs. But imagining villains (and particularly monsters) having normal lives is a weird contradiction, and that contradiction is funny. Imagine the Joker buying toilet paper, or the Silurians walking their dogs. Further, by giving the Silence the same kinds of feelings that normal people have, by making it seem vulnerable and lonely, the picture invokes the same kind of humor. A sad Silence is also a contradiction. Taking evil villains and monsters outside of their evil-doing contexts is funny, but not because it makes the actual villain/monster any less threatening. It works because they’re frightening; if they weren’t, there wouldn’t be any contradiction, and the humor wouldn’t be there.

Some Dalek fan works operate with the same kind of humor, but most do not. Popular themes are mocking the Daleks’ lack of motor functions, ridiculing the Daleks’ appearance, and poking fun at the Daleks’ catch phrase.

Can the Daleks do anything? Unlike the Silence picture, which makes fun of the Silence’s inability to have normal lives (not actually necessary for villainy), Dalek works often make fun of the Daleks for being clunky and awkward. The comic at the top of the post is a prime (and rather famous) example of this. The comic makes it explicit that the Daleks’ inability to navigate stairs would actually make them incompetent (and not that frightening) villains. One doesn’t need to have memorable birthdays to conquer the world. Stair-navigation, however, is probably necessary. We can see another example of this type of humor below.

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The detail on a dark grey t-shirt. In the image, a bronze-colored Dalek stands confused over a boxed light bulb on a table. His plunger and whisk “arms” are poised over the light bulb, and a think bubble above his head reads, “…how the heck?” Source.

While Daleks don’t need to change lightbulbs to be good villains (probably), the t-shirt is ridiculing the Daleks’ lack of motor functions. I mean, they have a plunger and a whisk. No fingers. No hands. They can’t pick anything up, or manipulate anything manually. That makes them a little less threatening as villains, which this t-shirt picks up on.

Why do they look like that? The Daleks’ clunky and low-budget appearance has been made fun of almost universally. Even people who think the Daleks are scary rarely think they look scary. The Daleks literally look like they were put together with scrap metal, stuff lying around the house, and some tape. It makes them hard to take seriously.

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The detail on a bright blue t-shirt. The image is a simple white line drawing. It shows a salt shaker, a plus sign, a plunger, a plus sign, a whisk, an equal sign, and a Dalek. Source.

This popular t-shirt posits that the Daleks are literally slap-dash. They humor comes in part because each of the objects is a domestic object (a salt shaker, a plunger, a whisk), which places the construction of the Daleks (or at least the aesthetic of the Daleks) squarely in the home. This makes them feel less threatening, because they are portrayed not as alien machines, but as objects that are extremely familiar. Further, the objects chosen here are, individually, so benign it would be difficult to imagine someone hurting you with them. How would you even attack someone with a whisk?

This kind of fan work doesn’t normally rely on contradiction; it’s a straight-up mocking of what the Dalek looks like and what parts he’s made of.

EXFOLIATE! ELUCIDATE! PONTIFICATE! The catch phrase for the Daleks is, I think, supposed to represent their horrifying, single-minded focus on killing all non-Daleks. But when you repeat a word enough, it starts to lose it’s meaning. I think this is what has happened to EXTERMINATE. Partially because the Daleks are so ridiculous, fans have easily and frequently taken the catch phrase and played with it for humor.

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The detail on a dark blue t-shirt. The image is a simple bright blue line drawing. It shows a a Dalek lounging on a recliner. He is watching TV, using a remote, and eating popcorn on a side table. There’s a can on beer on its side on the side table, and one on the arm of the recliner. On a bulletin board next to the Dalek are pinned three different sheets of paper. One shows the sonic screwdriver, one is a technical drawing of the TARDIS, and one is a “To Do List” with three items, all reading “EXTERMINATE!” Source.

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 The detail from a handpainted white greeting card. A bronze-colored Dalek sits in the suds of a bathtub, with soap hanging from a rope on his plunger arm. Text above the image reads, “EXFOLIATE!” Source.

These examples rely somewhat on the contradiction of Daleks having normal lives (watching TV, taking a bath), like the Silence example. They are also showing, though, the ridiculousness of the way the Daleks approach actions. If the Daleks want to do something (or want someone else to do something), they just yell commands. (Explain! EXPLAIN! EXPLAAAAIN!!) By showing how humorous it is to do that in real life (PROCRASTINATE! EXFOLIATE!), these fan works reveal the ways in which the Dalek catchphrase is silly, in part because it unnecessarily narrates the Daleks’ actions. Instead of just, you know, shooting the Doctor, they yell EXTERMINATE about 10 times while looking at him first. That’s about as stupid as screaming EXFOLIATE while you’re in the bathtub. The PROCRASTINATE image is even funnier, because it seems to directly comment on the way the Daleks say actions to delay doing them, as the “To Do List” on the wall makes clear. This is certainly a characteristic that makes a villain less threatening (like a Bond villain who explains his whole plan to you and walks away after putting you in a slow-moving death trap).

Soft Dalek, warm Dalek, little ball of hate. There are, however, some fan works that seem to resemble my Silence example, that rely on the contrast between scary killer monster and domesticity/everyday life, snuggliness, and/or vulnerability and loneliness.

spastasmagoria

A screenshot from spastasmagoria’s Tumblr blog. The post, from 4 May, has an image that is a close-up of a bronze-colored Dalek’s head. His glowing blue eyestalk is central, and text below the eyestalk reads “I am alone in the universe.” A comment from Tumblr user missrenholder reads, “’‘Help me.’ Poor little thing.” Spastasmagoria’s commentary reads, “LET ME HOLD YOU, LAST DALEK IN THE UNIVERSE. LET ME CUDDLE YOU AND WE CAN HUG THE GENOCIDE OUT.” Source.

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A hand drawn set of images on white that parody the “Soft Kitty” song from Big Bang Theory. In the first panel, the text reads, “soft dalek” and a red Dalek is covered in something white and fluffy. In the second panel (“warm dalek”), the Dalek is on a lounge chair under the sun. In the third panel (“little ball of hate”), the eleventh Doctor casually looks at the Dalek, who is much smaller, about waist-height. The Dalek has little “hate lines” above his head. In the fourth panel (“happy dalek”), the Dalek is look upward, with his “arms” raised. In the fifth panel (“sleepy dalek”), the Dalek’s head and arms are facing downward, and a talk bubble reads “zzz…” In the last panel, the Dalek’s head and arms are facing upwards, and a talk bubble reads “EX-TER-MI-NATE.” Source.

Both of these examples contrast snuggliness with hatred and violence. The first image is funny because spastasmagoria explicitly juxtaposes hugging with genocidal creatures, and the second because it pairs a “little ball of hate” with kitties. Like the Silence example, this kind of fan work functions best if the viewer sees the Daleks as frightening and threatening. That way, the contrast is at its highest. Unlike the Silence example, however, these two works feel the need to explicitly remind the audience that the Daleks are genocidal murderers (“WE CAN HUG THE GENOCIDE OUT” and “little ball of hate”). I would suggest that they do this because without doing so, the audience(s) might see the Daleks as ridiculous, as already adorable, and then these works would be less humorous.

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A silver-framed cross stitch on a striped wall. In the cross stitch, a dark red Dalek faces an R2D2. A speech bubble coming from the Dalek had a pink heart in it. Source.

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A chubby red felted Dalek. He has twisty metal arms, and is holding a banner reading “EXTERMINATE” in stamped letters in front of him. Source.

Many examples of snuggly/lonely Dalek fan works, however, don’t rely on humor at all. They’re just cute. There are knitted Daleks, plush Daleks, crocheted Daleks, felted Daleks. There are cookie Daleks. There are Daleks that just want to love. There are baby Daleks. All of these examples aren’t really meant to be funny. They’re meant to be adorable. And that there are so many of them suggests that a lot of fans already think the Daleks are adorable, or at least think the Daleks are non-threatening enough to be fashioned as adorable.

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A “tiki Dalek” at Gallifrey 22 in 2011. The Dalek has bamboo trim and a straw “skirt” trimmed in green grass and Hawaiian flowers. His bumps are half coconuts, and his eyestalk is made of one, too. He has a cocktail umbrella behind his eyestalk, and his whisk arm is a tiki torch. The other arm holds a drink topped with Hawaiian flowers and cocktail umbrellas. The rings on his “neck” are plastic leis. Source.

So are the Daleks scary? My exploration into Dalek fan works suggests that even fans don’t really think so. When at least half of fan works of a villain mock or domesticate that villain, it seems unreasonable to say that fans are truly frightened of it. We seem to think the Daleks are ridiculous, silly, and cute at least as often as we think they are scary.

The upcoming part 2 of this post will explore how the Daleks are similar to H. G. Wells’s Martian in The War of the Worlds, and how that comparison affects how scary, or not, the Daleks are to modern audiences.