Archive for Ritch Ludlow

The Crimson Horror and Sexual Assault

Trigger warning

I think some of us are in mourning.  The Doctor as an asexual character is officially dead.  In “The Crimson Horror”, the Doctor first flirted with (/at) Jenny, then grabbed her, dipped her, and forced her into a kiss.  When slapped by her afterwards, he made a joke about it, didn’t apologize, then proceeded to sexually objectify her as she defended herself in a fight.  It was all played for comedic effect.

This is not my Doctor.  This is not the Doctor of the last 50 years.

Though this isn’t the first time a non-consensual kiss has appeared in modern Doctor Who, it is the most aggressive and only instance of predatory behavior on the part of the Doctor.

Its made me realize how lucky we’ve been all these years.  One of the best parts of the Doctor has always been that he isn’t predatory.  He has many friends, but he never has ulterior sexual motives.  Steven Moffat’s production team have decided that that’s OK now.  Its goofy, its wacky; its the Doctor.

 

(I’ve vlogged about the episode here.)

River Song: Marriage and Body Image

I could relate to the early days of Doctor/River, but not the marriage.

I love River, and I really adored her early relationship with the Doctor (from his side). I could relate to that feeling of anticipation, excitement and sometimes dread he felt at the idea of falling hopelessly in love.

But I can’t relate to the marriage. I’ve never been married. Having two married couples in the TARDIS was a bit alienating to me, and was undoubtedly alienating to many of the children watching the show. It sometimes feels like a contradiction of one of my favourite Russell T Davies quotes from Series 2:

When you’re a kid, they tell you it’s all … “Grow up. Get a job. Get married. Get a house. Have a kid,” and that’s it. But the truth is, the world is so much stranger than that. It’s so much darker. And so much madder. And so much better.

And is the new tension in the Doctor and River’s relationship really going to be her body image issues?  In The Angels Take Manhattan, River expresses her distress in regards to his youthful appearance:

When one’s in love with an ageless god who insists on the face of a 12-year-old, one does one’s best to hide the damage.

After all this time of having this awesome age defying relationship between two larger than life time travelling superheroes, I hope this doesn’t continue to be a source of tension between them. I don’t want Doctor Who to add to all the media out there teaching little girls that looking older will be something they should feel insecure about.

Their apparent (and meaningless) age gap was one of my favourite things about them as a couple.  River hasn’t turned out to be one of the better developed characters in the show, and this doesn’t feel like a natural development to me.

Frankly, I’m hoping River’s story isn’t going to last any longer than the Eleventh Doctor’s life.  I don’t want this show to remove the delightful sense of relatability the Doctor had for so many of us queer or uncommon folks over the years.  Moffat’s Who is brimming with heteronormativity, in a show which can transcend those ideas with such indiscriminate ease.  Here’s to change.

 

Amy in Asylum of the Daleks

SPOILER WARNING

I’ve been a long time defender of Moffat.  Not in that I think he’s a feminist writer by any means, just that I didn’t think he was too awful.  I was convinced he’d redeem himself given time.  But Asylum of the Daleks proved me wrong.

In Asylum of the Daleks, Rory and Amy are getting a divorce.  Why?  Because Amy can’t get pregnant.

Here’s my initial response, immediately after the episode ended:

Transcript:

Come off it…Moffat.

Just finished Asylum of the Daleks and I have to say, I”m kind of disappointed.  I loved the Daleks, and I thought all that was really cool.  And you know cosplayers are going to have a fucking field day with this episode.

But…really…Amy?

This is 2012, and Amy still defines her worth by her ability to reproduce.  (What bothers me most here isn’t that a 21st Century woman might feel this way, but that Amy would never have been written ANY OTHER way, even in 2012.)  And I want to be able to argue that, “Oh the point is that she finds out her worth isn’t based on her ability to reproduce.”

Well, its only resolved by Amy finding out that Rory just loves her so much!  So she does have worth, because her husband really really loves her!

Its not like with Donna Noble, who finds her self worth based on her ability to help people and problem solve.  I think in a story like this Amy needs to find her self worth based on something else.  Its bullshit.  Its such a cop out.

Steven Moffat is just not a very good character writer, its as simple as that.  Of all the trauma Amy and Rory have been through – and there have been a lot – the one thing that breaks them up is that Amy can’t have kids….really?

It kind of pushed it over the edge for me.  Moffat has been accused of misogyny and sexism, and I’ve often been willing to give him the benefit of the doubt.  But this is just so fucking cartoonish.  Its so childish.

Give me a break.  This is Amelia Pond.  She’s saved hundreds of lives all across time and space.  She’s married to an ancient Roman.  Her best friend and son in law is the coolest super hero ever.  She’s like…a super model.   But…she can’t have kids, so she just can’t be with Rory anymore!

I know a lot of you are going to horribly disagree with me on this, and I’m going to get a lot of hatorade about this.

I think the first 4 or 5 years of New Doctor Who, had some really wonderful role models for young women.  But Amelia not only hasn’t been as good of an example as Rose, Martha, and Donna, but she’s turning into a fucking cartoon.

Its about time she left, or maybe its just about time Steven Moffat left.  (I’m going to get so much hate because of this video.)

I’m just going to put this out there now, while I’m on the subject: The nerd community, if there is such a thing, is incredibly sexist.  And you may think you’re enlightened, because you really love sexy busty women wearing barely anything, holding a great big sword, showing how strong they are, but that’s not really how it works.

Moffat just doesn’t understand people as well as Russell T Davies, especially women.  His understanding of women is just nil; it doesn’t exist.

We need women writers on this show so bad.

OK, now bring the hate, guys, I’m ready.

Edit:
In hindsight, I’m not pleased with everything I said in the video . I don’t mean to undermine the experiences of real women who have been through this themselves.

It isn’t the infertility itself that bothers me. Its how its used, and how its conveyed. Amy’s experience with it is drastically oversimplified, in a way that is misleading and not at all empowering to younger viewers.

Also in the context of Amy’s previous season, it bothered me. I miss the Amy of season 5, and I was hoping to get her back for season 7. Alas, it was all about her uterus again.

I posted this primarily to invite discussion, since it had yet to be mentioned on Doctor Her. I value all the opinions of the commenters below!  Please post your own!

Nu Who Bechdel List

The Bechdel Test applied to the 2005-2012 Doctor Who
I saw another list of Bechdel tested Nu Who recently, but it seemed pretty inaccurate to me.  So I went through every single episode individually and tried it myself.  These are my results, which kind of vague “citations” of how it passes the test.  I used the “named” version of the test, just to be hardcore!
I usually just list one example of test-passingness, because I didn’t look for every example.  If you know more examples, let me know, I’ll check them and put them on!
If you see any flaws, please point them out and I’ll check, then edit the list!
I’m planning on Bechdel testing the Classic Doctor Who serials soon, when I start my Every Doctor Who Ever Review Video Project (which you’re encouraged to visit the Kickstarter for!)
The rules:
1. It has to have at least two [named] women in it
2. Who talk to each other
3. About something besides a man

 

Rose
Rose and Jackie talk about things like work and the cat-flap. – 3

End of the World
Rose talks to Cassandra about Earth and Raffalo about plumbing! – 3

The Unquiet Dead
Rose and Gwyneth talk about the Big Bad Wolf and the Gelth – 3

Aliens of London
Rose and Jackie talk about Rose disappearing – 3

World War 3
Rose and Harriet Jones talk – 3

Dalek
Rose just talks to the boys, I think – 1

The Long Game
This one only just scrapes by when Cathica and Suki chat about floor 500 – 3

Father’s Day
Little Rose and Jackie “talk” about Pete.  Barely makes a – 2

The Empty Child 
Rose and Nancy don’t get a chance to talk here – 1

The Doctor Dances
Rose and Nancy chat about the war and the future – 3

Boom Town
Blon and Cathy talk about the reactor blowing up, and irritable bowels – 3

Bad Wolf
Um…Rose talks to the Ann-Droid about peroxide – 3

Parting of the Ways
Rose and Jackie talk about Pete and the Doctor and…life travelling with the Doctor…could that make this a 3?  I’m hesitant.  Lets go with a – 2

 

Season Average: 2.5/3

 

The Christmas Invasion
Rose and Jackie talk about Harriet Jones – 3

New Earth
Cassandra and Rose talk about the human race and body image – 3

Tooth and Claw
I don’t think any two women talk about anything other than the dudes in this one – 2

School Reunion
Rose talks to Sarah about the Doctor – 2

Girl in the Fireplace
Rose and Reinette talk mainly about the Doctor, so – 2

Rise of the Cybermen
Rose and Jackie talk about Pete – 2

Age of Steel
Jackie and Rose have a couple of brief exchanges about Jackie being alive – 3

The Idiot’s Lantern
Rose talks to the Wire about the weather.  Barely counts!  - 3

The Impossible Planet 
There are 3 main female characters, but I don’t think any of them have a conversation – 1

The Satan Pit
Ida and Rose talk about the Doctor – 2

Love & Monsters
I believe the ladies of LINDA only talk about the Doctor in group discussions – 2

Fear Her
Trish and Rose talk about Chloe – 3

Army of Ghosts
Rose and Jackie talk about how Rose is changing; Adeola and Yvonne talk about work; Jackie and Yvonne talk about groceries – 3

Doomsday
Rose and Jackie talk about the Doctor; Jackie and Yvonne talk about Torchwood and Cybermen – 3


Season Average: 2.4/3

 

The Runaway Bride
Donna and her mum talk about her disappearing act – 3

Smith and Jones
Martha talks to Tish about the rain going upwards – 3

The Shakespeare Code 
The witches talk to each other, basically just about the Doctor and Will – 2

Gridlock
Martha talks to Cheen about life in the gridlock – 3

Daleks in Manhattan
Martha and Tallulah talk about their men – 2

Evolution of the Daleks
Tallulah and Martha talk about the psychic paper and dalekanium – 3

The Lazarus Experiment
Tish and Martha talk about the event, and to her mum about missing her – 3

42
Martha phones her mum to ask her questions for the thingy – 3

Human Nature
Martha talks to Jenny about flying away – 3

Family of Blood
Martha talks to Joan about passing medical exams – 3

Blink
the adventures of Sparrow and Nightingale! – 3

Utopia
Martha talks to Chan-Tho about swearing – 3

Sound of Drums
Vivian Rook talks to Tish about having alone time with Lucy Saxon – 3

Last of the Time Lords
Martha talks to Docherty about Toclafane and flowers – 3

 

Season Average: 2.8/3

 

Voyage of the Damned
Foon and Astrid don’t talk, I think – 1

Partners in Crime
Donna and Sylvia talk about the 1980s, Penny and Foster talk about fat – 3

Fires of Pompeii
Evelina and Donna talk about the future – 3

Planet of the Ood
Mercurio and Donna have a brief exchange about the “Noble Corporation” – 3

Sontaran Stratagem 
Donna and Martha talk about their families (I don’t think that counts as “about a man”) – 3

Poison Sky
Martha and Clone Martha talk about poison gas and life – 3

The Doctor’s Daughter
Donna and Jenny talk about travelling, which, to be fair, isn’t talking about the Doctor – 3

Unicorn and the Wasp
Donna and Agetha Christie talk about her books – 3

Silence in the Library
Donna and Evangelista talk about how thick E is – 3

Forest of the Dead
Donna and Evangelista talk about being in the matrix thingy – 3

Midnight 
Pretty much all the women in this story at least talk to each other, but in a group discussion – 3

Turn Left
Donna talks to Sylvia about many things like getting a job; Rose talks to Donna about being the most important person ever – 3

The Stolen Earth
Martha, Harriet, and Sarah talk about the subwave network.  Its being used to contact the Doctor, but I think its more to the point that they’re all being mechanical whizzes and awesome – 3

Journey’s End
Martha talks to Francine about daleks and the key and stuff, if nothing else – 3


Season Average: 2.8/3

 

The Next Doctor
Hartigan and Rosita talk about Rosita being a prostitute – 3

Planet of the Dead
They women talk to each other but its so vague and brief I’d feel bad putting it on here.  But this story is at least half women, and they’re pretty diverse and interesting characters too.  Oh well  - 1

Waters of Mars
Brook talks to multiple crew members about various things that aren’t a dude – 3

End of Time Part 1
Sylvia and Donna talk about presents – 3

End of Time Part 2
Donna talks to Nerys about being a peach – 3


Specials Average: 2.6/3

 

Eleventh Hour
Amy and Jeff’s Grandma talk about something other than a man, but Jeff’s nan isn’t named!  Dr. Ramsden is named, but she doesn’t talk to Amy.  And Amy talks to Prisoner Zero, who spends most of its time as a woman.  So this one is really hard to rate.  It gets at least a 1.   – 1

The Beast Below
Amy talks to Mandy about keep out signs and the like – 3

Victory of the Daleks
Amy and Breen are named, though they don’t really talk to each other.  Breen talks to an unamed woman a couple of times, but that doesn’t count, i suppose – 1

Time of Angels
River and Amy talk about the catacombs and the injection, and the “well done” for beating the angel thing – 3

Flesh and Stone
River and Amy talk a bit about Amy’s counting down illness or whatever – 3

Vampires of Venice 
Isabella and Amy talk about being in the vampirey place, and Amy and Rosanna talk too  - 3

Amy’s Choice
Amy and Mrs. Poggit don’t talk – 1

The Hungry Earth 
Alaya talks to Ambrose about her son and Amy – 2

Cold Blood
Nasreen and Amy talk about how to bring the Silurians to the surface – 3

Vincent and the Doctor
yeah – 0

The Lodger
Amy and Sophie are named, but they don’t chat – 1

The Pandorica Opens
River and Liz talk about the Doctor; Amy and River talk about the crash of the byzantium and stonehenge – 3

The Big Bang
Amelia, Aunt Sharon, and the therapist chat about stars – 3


Season Average: 2/3

 

A Christmas Carol
Isabella and Abigail talk about christmas dinner – 3

Impossible Astronaut
Amy and River talk about the Doctor; Joy and Amy talk about the Silent.  If the Silent counts as a man, that makes this – 2

Day of the Moon 
Amy talked to Melody about shooting her, but Melody wasn’t named in this episode.  Ugh, so I dunno.  I mean, River’s named, and the little girl IS River.  And the whole point of the “not named” thing is that not being named makes the character less relevant.  However, Melody Pond is probably the most relevant character to the whole story.  So I’m gonna go with – 2

Curse of Black Spot
I guess the Siren doesn’t count as a “named character”.  Madame Kovarian is in the episode, but unnamed.  - 0

The Doctor’s Wife
Auntie and Idris talk about Idris “dying” – 3

The Rebel Flesh 
Jenny talks to Miranda, and Miranda and Ganger Miranda chat – 3

The Almost People
Miranda and Miranda chat again – 3

A Good Man Goes to War
Amy talks to Lorna Bucket about the baby and stuffs.  Oh and Vastra and Jenny talk their kinky lesbian interspecies talk – 3

Let’s Kill Hitler
Amelia tells Mels off for stealing a bus and otherwise being generally naughty – 3

Night Terrors
Amy, Claire, and Mrs. Rossiter are all named, and Amy has a conversation with an unnamed woman, but I guess that only gives it a – 1

The Girl Who Waited
Ok, so the thing about this episode is that Amy is only one person.  However, not only are there two Amys who talk to each other, its vital to the whole concept of the story that their lives are as valid as one another’s.  So I have to argue that this gets a – 2

God Complex
Amy and Rita chat briefly about a clown and things  - 2

Closing Time
Kelly and Shona at the start talking about closing the shop and the electricity, though that’s interspersed between talking about Kelly’s wanting to go on her date or whatever. There are at least two other named women in this story. – 2

Wedding of River Song
Amy talks to Madame Kovarian about stealing Melody before she murders her – 3


Season Average: 2.2/3

 

The Doctor, the Widow, and the Wardrobe
Madge talks to Lily.  Madge talks to that Androzani lady a bunch, but I guess she’s only named in the credits.  So I think this only gets a – 2

 

Davies era average: 2.7/3

Moffat era average: 2.1/3

 

 

Daleks are Scary

A very serious response to Courtney’s article, “Are the Daleks Scary?

 

Transcript:

Doctor Who is about an alien man with various British accents, who travels around all of time and space in a wooden box which is bigger on the inside than the outside.  When he dies, he resurrects by changing his body into another white male one, but can turn into almost anything.  He helped William Shakespeare write Hamlet, and he’s on Virginia Woolf’s bowling team.  

This is a show where suspension of disbelief is mandatory.

Ok, fine, I find the Daleks a bit scary sometimes, please don’t make fun of me.  I love this show, probably more than most people watching this video, which allows me to permit total suspension of disbelief when watching it.  I feel like a kid; I can just imagine that it’s all real, and excuse even the most unrealistic of monsters in 25-45 minute increments.

Once you’ve come to terms with the fact that the Doctor is definitely real (he is, shut up), then you can see the Daleks for the genuine threat that they are.  Daleks, as we know them, are tanks.  They’re 5’-6’ tanks with almost nothing but a death ray attached to their bodies.  You can’t see the monstrous creature within, but you know that even if you could, there would be no sense of emotion in its face; no expression of compassion or fear.  Just hate.

When you look into the eyestalk of a Dalek, you see no understanding, no appreciation for the amazing act of nature that life is.  You see a stillness and twitching I only recognize in cockroaches and other insects.  Insects don’t care about you, they’re driven only by their own basic needs.  And Davros programmed the Daleks with only one basic need: to kill you.

How could a real Dalek not be frightening?

But the Daleks aren’t real, so that doesn’t matter.  Unfortunately they don’t look like a creature from Alien vs Predator.  We all recognize that they unintentionally look like they belong in your toilet or kitchen cabinet.  So they can’t be scary, because that would be ridiculous, wouldn’t it?  Embarrassing!  It’s more acceptable to be afraid of clowns than it is plungers, so naturally we can’t allow ourselves to see them as threatening, for the sake of our dignity!

Taken out of context, the Daleks aren’t scary.  Not in the least.  There’s something inherently wonderful about their shape and design, but it’s certainly not scary.  But the more passionate you are about the narrative of Doctor Who, the stronger personal feelings you have for the Doctor and his friends, the more scary the Daleks become.  

So basically, the bigger nerd you are, the scarier the Daleks are.  But luckily this is the age of Transformer and Star Trek remakes, and of shows like Big Bang Theory.  This is the Age of the Nerd.  We must embrace our nerdiness, and band together against the threat of the Dalek invasion!  There are only 152 years until the Dalek Invasion of Earth!   We know this to be true!  Band together, Whovians!  We must prepare for the impending plunging invasion force!  

Gandalf and the Hero: Moffat vs. RTD

“It’s always [the companion’s] story. It was Rose Tyler’s story, it’s Amy Pond’s story – the story of the time they knew the Doctor and how that began, how it developed and how it ended,” Steven Moffat told BBC America, ”The story begins again, not so much with the new Doctor, but with the new companion. The Doctor’s the hero, but they’re the main character.”

I think this is a crucial difference between the Russell T Davies era and the Moffat era of Doctor Who (and indeed the difference between the William Hartnell era and the Jon Pertwee one).

Where RTD wrote the companion as the Doctor’s heroic equal (or at least someone who will acheive his equal by the end of the season), Moffat writes the Doctor as the hero of the story, and everyone else, including Amy, becomes a supporting character.

In RTD’s era, Rose, Martha, and Donna can be compared to the Doctor in their bravery and intelligence, and contribution to saving the universe. All three of those women saved the universe on an enormous, epic scale, in partnership with the Doctor, by the end of the season. I believe Davies wrote the companions with this intent. This is how you balance out the potential sexist element of the show.

See, the problem with Doctor Who, is that the main character is a dude, and his “assistant” is a woman. The marginalized group becomes a damsel in distress or just someone to “wow” at the Doctor’s intelligence. Davies countered this by making his three main companions’ journeys build up to moments of braveness where the Doctor became the “damsel” (surrounded by Daleks, captured by the Master, or locked up by Davros).  This served to remove gender from the “hero” role.

In Moffat’s Doctor Who, the Doctor is the sole hero, and everyone else plays second

Does Rory play second fiddle to Amy's second fiddle? Uh...third fiddle?

fiddle. EVERYONE. We’re not meant to view Amy as being on a potential even playing field to the Doctor the way Davies intended. Instead of an equivelent to the Doctor, Amy is meant to be seen beside Rory, River, and Craig.

There are problems with this format, however.  The male companions don’t get half the attention that the female companions receive.  River and Amy are far more important than Rory and Craig, who only get to star, arguably, in about three episodes combined.  Even after a whole season in the TARDIS, Rory only once got to outshine Amy (“The Girl Who Waited”).

On the whole, we think of the Doctor and Amy as the stars of this show, but Amy has yet to truly outshine the Doctor.  Yeah, she has a few minor wins early on (“The Beast Below”/”Victory of the Daleks”), but they’re weak, and minor, compared to the Doctor’s season finale blow-outs.  The problem is that the traditionally marginalized group (women) is always going to be the “assistant” in Moffat’s format.  The women are always going to be a little bit less wonderful than the staring male.

In “Meanwhile in the TARDIS”, the Doctor refers to himself as “Space Gandalf”.  Well, this is true, but more so back in the day.  In the original 60′s Doctor Who, the Doctor was truly Space Gandalf, serving as the magical genius vessel who moves the story and exposition.  But in Tolkien’s story, Bilbo is the hero.  Frodo is the hero.  Gandalf isn’t the hero.  Davies Doctor Who was also closer to this format.  The Doctor is a hero, he is magical and wonderful, but he’s really the vessel for the journey through which the companion becomes the hero.

But it seems Moffat is more interested in sticking to the Jon Pertwee/Tom Baker style Doctor Who, in which the Doctor is the hero, and although the companion is who we experience the story through, they will never acheive true heroism.

Ian and Barbara, the original Doctor Who companions

So what can be done about this?  How can we make the dynamic between hero and civilian less gendered in Moffat’s format?  Well, I think Moffat’s Who could seriously benefit from more attention to the male companion.  Its been done before, in the 60s Doctor Who; Ian and Barbara were very much equals as companions, and both had their chances to shine.  If Rory and Amy were on an even playing field, we might be able to see the Doctor as less gendered.

Alternatively, a female Doctor is going to make a world of difference.  The fact is, you can’t consistently cast the marginalized group as the “lesser” of the two leads without it coming across as a comment on gender.

Where Davies’ Who said, “the Doctor is a brilliant dude, but his female friends, with a bit of practice, can be just as brilliant.”  Moffat’s Who says, “the Doctor is a brilliant dude, and his girlfriends think he’s awesome for it.”  I wonder if this problem was born out of a misinterpretation of Davies’ Who on Moffat’s part?  Perhaps if Moffat had started Doctor Who back in 2005, we’d have had two companions from the get go, without the Davies’ imposed Doctor/companion format.  Either way, we need a change.  Let Gandalf be Gandalf.  Let the woman be the hero.

Where are the Girl Daleks?

Monsters are an important tradition of Doctor Who.  Though usually a new one crops up every week, we’ve been treated to some recurring favourites, such as the Daleks, Cybermen, and Sontarans.  The Daleks, are of course the greatest enemy of the Doctor, and although perhaps we know the most about them after almost 50 years, their frequent appearances still beg the question: Where are the girl Daleks?

The Daleks are Kaled mutations, which Davros “fooled” his people into believing were the inevitable evolutionary climax of their race.  Cybermen were once people, but now more machine, their emotions completely removed.  Sontarans are a clone species, with no families, just stocks and honour.  Though there isn’t much reason given for it, these monsters are all invariably portrayed as somewhat male in Doctor Who.

In the revival series, we’ve been introduced to new recurring monsters, primarily under Steven Moffat’s era: the Weeping Angels are a species which appear to all be female and identical, similar to the Silence (which aren’t a race, but a religious order) who all appear male and identical.

What makes these five monsters scary isn’t solely their violent nature, but also their conformity.  The Daleks want to kill anyone unlike themselves, while the Cybermen want to force everyone to become like themselves, removing all sense of individuality.  Gender fits into this idea in that this part of our identity is considered either invalid or simply waiting to be removed.  It further removes the monsters from their former, or possible, humanity.  It breaks down ideas of families within these groups, making them less relatable and more objectified in their monstrosity.

Although the original series portrayed Silurians in the typical “men only” fashion, the 2010-present Silurians have become more familiar, with both male and female silurians (and an apparently gendered society, where women are warriors, and men are healers).  Unlike the Weeping Angels, we can reason with the Silurians.  They’re like us.  Our cousins.  They have family and love, and these are their weaknesses, so very human.

Similarly the Slitheen are not a race of monsters, but a family of criminals.  In “Boom Town”, we see the importance of this, as the Blon Fel-Fotch Pasameer-Day Slitheen tries to reason with the Doctor, describing her childhood, and ultimately being given a second chance by the TARDIS.  This is so unlike the monsters of old.  Who could reason with a Dalek?  Who could give a Cyberman a second chance?

The Ood are an interesting example, as they appear to have a male physique and voice, but we’re reminded several times that this isn’t an accurate interpretation of them.  In “The Impossible Planet”, Rose confesses her uncertainty about the gender of an Ood.  In “Planet of the Ood”, the translator is shown to convey an arbitrary voice, which isn’t so much indicative of the Ood, than of the slave owner.  The Doctor even mentions that the Ood are born, unlike so many “classic” monsters, who are made.

Dude Aliens

The threat of enforced conformity that these monsters convey is a geniune and frightening one.  But without redemption?  The Daleks and Cybermen can never be redeemed (even Torchwood‘s “Cyberwoman” agrees to this).  Yet, “A Good Man Goes to War” actually featured an interesting variation to the Sontaran rule.  Commander Strax has been punished by the Doctor with the curse of being a nurse rather than a warrior.  He even breaks biological gender norms by “gene-splicing” himself for breast feeding.  As much of a joke as this was, it lends to the final revelation of this character that, upon his death, being a nurse may have been more important to him than being a warrior.  Strax was our first redeemed Sontaran, and this was done, in part, by breaking the gender boundaries of his people (who were revealed in “Sontaran Stratagem”/”Poison Sky” to be misogynists).

Gender diversity within a “monster” species permits a new level of humanity, which is important, because in the real world there are no monsters.  In the real world we don’t go to war with Dalek-like villains, the only solution to which is genocide.  We war with Slitheen groups, not Raxacoricofallapatorians.  We war with Silurians, whose people don’t always agree with their military.  These human-like “monsters” teach us an important lesson, one I hope a new generation of young Doctor Who fans can truly benefit from.